The best action movies on Prime Video Australia

From assassins to adventurers, superheroes, spies and more—here’s a selection of the very best action movies now streaming on Prime Video, picked by critic Luke Buckmaster.

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* Best new movies & series on Prime Video
* All new streaming movies & series

Anna (2019)

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It’s a tad generic—but Luc Besson, a veteran of the killer-for-hire genre, delivers a lean, mean, muscular assassin flick with a cracking pace and a magnetic performance from Sasha Luss. Her character, a government-contracted killer, has a modicum of originality in that she’s a high-end fashion model working in Paris. So: catwalk by day, bullet in someone’s head by night. A commentary on the violent opulence of haute couture culture?

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Blade Runner 2049 (2017)

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Making a sequel to one of the most influential sci-fi films of all time is a piece of piss, said nobody ever. Denis Villeneuve succeeded magnificently with his atmospherically heavy, Roger Deakins-shot sequel to Ridley Scott’s rain-clogged neo-noir. Ryan Gosling plays a replicant guiding us through a future that’s bleak, soulful and biblical, in a ghost-in-the-machine sort of way.

BMX Bandits (1983)

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A frizzy-haired and rosy-cheeked young Nicole Kidman (16 at the time of filming) stars as one of the titular whippersnappers who scoot around Sydney on bicycles, foiling the plot of criminal masterminds. Stuffed full of playful shots, unconventional angles and DayGlo colours, this bona fide 80s classic is kitschy and gaudy, set to the tune of a pumping synth soundtrack.

Deepwater Horizon (2016)

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Peter Berg’s riveting, pressure-packed dramatisation of America’s worst oil spill is The Towering Inferno for a new generation, with a politically salient message against oil companies and a strong leading performance from Mark Wahlberg as a technician fighting to save himself and his colleagues. What could be more American than a disaster movie about workers scrambling to save their lives because of multinational corporations making cost-cutting decisions?

Edge of Tomorrow (2014)

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Tom Cruise plays an alien-fighting US solider who cannot die and experiences the same day over and over, Groundhog Day style, in Doug Liman’s rootin’-tootin’ video game-esque sci-fi . The fight/die/repeat format keeps a ferocious pace and doubles as a comment on the infallibility of the Hollywood hero.

Fist of Fury (1972)

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Before the intro credits have appeared, a distraught Bruce Lee is clutching the dirt above his teacher’s grave and swearing revenge. The martial arts legend’s screen-buckling presence seems to extend past the many baddies he beat up to the structure of the film itself, whipping it into gear. Fist of Fury is one of the more notable (and rewatchable) titles from 70’s chopsocky cinema.

The General (1926)

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Nobody who’s watched Buster Keaton balancing precariously on a cowcatcher at the front of a train could ever forget that image; it is an everlasting imprint from one of cinema’s first action-comedy masterpieces. In his magnum opus the brilliant comedian trots off to the Civil War as a train engineer, chasing enemy troops and thwarting their attempts to derail him—while of course performing virtuoso slapstick.

Gladiator (2000)

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The roar of the crowd in Ridley Scott’s hell-unleashing swords and sandals epic isn’t just the sound of people clamouring for spectacle, but a through line to the film’s core political message: about wielding power by winning over over the masses. A mustily styled worn-in look gives the clanging steel and spurting blood a credible veneer, and a pacey momentum compensates for a very chunky running time.

The Green Knight (2021)

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David Lowery’s balls to the wall fantasy film begins with Dev Patel’s face exploding into fire—and gets better from there. Patel’s mission to confront the eponymous character is cinematic in a dreamily medieval way, with mist-ensconced mountains and candle-lit castles a-plenty. Lowery is unafraid to hold the frame, deploying ravishing long takes that explore and extend the space.

Hellboy II: The Golden Army (2008)

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Guillermo del Toro’s most imaginative production marks the second performance from Ron Perlman as the buff, tomato red, human-like titular half-demon raised as a superhero to fight for humanity. This is a film that cares about its creations—even ones cursed to die in service of spectacle—such as a huge, plant-like, city-destroying monster discussed in the context of exquisite beauty (“you destroy it, the world will never see its life again”). Magnificent.

Hulk (2003)

Ang Lee’s neglected 2003 superhero movie—starring Eric Bana as the bright green and famously intemperate protagonist—is languidly paced and overlong. But visually it dares to be different, with inventive split-screens and box-like compositions that embrace the comic book aesthetic, suggesting ways this genre could have had a unique cinematic style.

The Hunger Games: Catching Fire (2013)

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The second Hunger Games movie evokes a thoroughly menaced tone: the world is broken; people are pushing back; revolution is in the air. Despair and cynicism infuse everything—even the relationship between Jennifer Lawrence’s Katniss and Josh Hutcherson’s Peeta, who are used as propaganda tools by the state. They’re sent back into the death tournament arena, where Katniss rises from celebrity contestant to mythical saviour.

Inglourious Basterds (2009)

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Quentin Tarantino’s seventh film begins with vintage monologues from Christoph Waltz and culminates with an explode-a-palooza of historical revisionism, the cinema itself the very venue for the demise of Adolf Hitler. Tarantino’s penchant for pop-art cinephilia is on full delirious display, sprucing up a stop-start narrative about—as Brad Pitt so eloquently puts it—”killin’ Nazis.”

Kick-Ass (2010)

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This wittily irreverent and sassy superhero movie follows a delusional teenager, Aaron Johnson’s Dave Lizewski, who dons a bogus costume and declares himself a caped crusader. Matthew Vaughn wickedly subverts the genre and makes way for some scene-stealing supporting performances—particularly from NIcolas Cage and Chloe Grace Moretz.

The Lord of the Rings: The Return of the King (2003)

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The third instalment of Peter Jackson’s dizzying Lord of the Rings trilogy is where the shit really goes down, delivering moments of screen-crunching spectacle that bring to a head tonnes of plotlines and backstories. But this choice represents all three films, which are magnificent as a set but flawed in different ways: the first has a lagging setup; the second doesn’t have an ending; the finale has about a dozen.

Mad Dog Morgan (1976)

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Dennis Hopper’s behind-the-scenes antics during the making of this hardboiled, bush-set Australian classic are legendary; the film itself is pretty wild too. It starts slow but gathers momentum as Hopper’s outlaw protagonist is pursued by authorities, the net closing in, and the ensuing fight ballooning his folk hero status.

Mad Max (1979)

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In 1979 Mel Gibson stomped down the highway for the first time as Max Rockatansky—and action cinema was never the same. Given the subsequent Mad Max films, George Miller’s hell-raising debut is now an origins story, detailing the Road Warrior’s tragic baptism by fire. The film has lost none of its dark magic; watching it is like sticking your head out the window of a fast moving car.

Mad Max: Fury Road (2015)

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The pace of George Miller’s third Mad Max sequel is beyond frenetic: a sonic-speed symphony of combustion that roars out of the gates and never slows down. Tom Hardy defies expectations, bringing Max Rockatanksy into the 21st century. But Charlize Theron steals the show as Imperator Furiosa, spearheading a story about the world’s greatest u-turn.

The Man From Hong Kong (1975)

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Before there was Mad Max, there was Brian Trenchard-Smith’s chopsocky Australian action movie—which contains a tremendous eight-a-half minute car chase that must have inspired George Miller and his road warrior. Jimmy Wang Yu plays a kind of Chinese Dirty Harry, infiltrating a crime network run by George Lazenby. From the opening scene Trenchard-Smith (an ozploitation legend) directs with jaunty, rhythmic gusto.

Robocop (1987)

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The year 1987 marked the beginning of a particularly good run from Paul Verhoeven: Robocop then Total Recall then Basic Instinct. Peter Weller plays a slain police officer resurrected as the titular cyborg, prompting a blamfest of action scenes that still feel fresh. The satirical elements have even more currency today, given society is further down the line of artificial intelligence and robotic engineering.

Sicario (2015)

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The words “Benicio del Toro” and “Mexican drug cartel movie” go together like a horse and cart. The actor’s sleepy menace is on fine display in Denis Villeneuve’s dark story about dodgy cops, moral quandaries and Emily Blunt trying to make sense of it all as an FBI agent. Blunt has a lessy showy role but is a commanding anchor.

Terminator 2: Judgement Day (1992)

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Fear of a robotic uprising has long stimulated the public imagination—rarely as memorably as in James Cameron’s 1992 masterpiece. Larded with gripping chase scenes, which have aged not one iota, the villain from its predecessor—a cyborg played by Arnold Schwarzenegger—returns as a reprogrammed good guy, initially butt naked but soon to kick ass in an iconic leather jacket and black sunnies.


Titles are added and removed from his page to reflect changes Prime Video’s catalogue. Reviews no longer available on this page can be found here.