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Great television. Genuinely great. Forget ER; the more compelling and apt comparison is Martin Scorsese’s Bringing Out the Dead. I don’t say that lightly, nor this: The Pitt might be the best American drama series I’ve seen in years.

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Neatly sidesteps many of the horror-grief cliches and takes this weird little chiller to stranger—and much more fun—places. Bonus points for Hunter Schafer’s excellent lead performance and Dan Stevens’ pitch-perfect turn as a weird Euro guy.

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Aardman's dynamic duo deliver yet another joyful, laugh-packed load of top-shelf silliness. The story slyly comments on current AI fears but everything else stays true to what make Wallace and Gromit such enduring icons. 

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It didn’t take long for me to nestle into this film’s graceful ebb and flow and to realise that the co-directors know exactly what they’re doing with their aesthetic choices.  My initial apprehension evolved into full-blown love for this very moving production. Read more

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Staggering performances and a thematically rich script blow up this densely-packed story about family history and an individual's place amongst a legacy. Compared to Fences and Ma Rainey’s Black Bottom, it might be the most cinematic of the recent August Wilson adaptations.

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Concerned with shallowness and performance itself, Aaron Schimberg’s black comedy is rich with complicated characters, bold shifts in story that’ll keep viewers guessing, and above all a compelling challenge to the masks we all wear. Read full article

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