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More than a decade after the last film in the franchise comes one of the horror series’ best yet. Bloodlines knows what makes these films tick - the complex Rube Goldberg-like deaths, the black humour, even the convoluted lore. See it with a crowd.

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About as unfiltered of a battlefield experience as you'll get. Garland and Mendoza compact the visceral and ugly nature of combat so tightly, it could very well change your perspective on modern war films.

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No NBA stars. No corporate attempts at IP expansion. Just a great meshing of the original Daffy and Porky cartoons with '50s-era sci-fi cinema. This is pure, uncut Loonacy and it's a joy to behold.

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With its overt fish-out-of-water comedy, broad bro-ey sentimentality, and commitment to the ludicrous “autistic secret agent” world-building, The Accountant 2 is a thousand times more entertaining than its predecessor. Full article

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Succession’s Jesse Armstrong turns his satirical surgical focus to a different strata of global villains - the tech sector. Holed up in a mountain lair and modelled on Musk, Thiel etc., the comedy is claustrophobic, but the scale global - its many punches landing hard in our present day.

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Bit of an unsung Kiwi gem, a distinctively rural crime thriller that Aotearoa could make more of. Cameron Jones and Josh McKenzie fuel the film as brothers-at-odds, powering the film's very humorous start to a situation that gets increasingly more desperate up to its tense climax.

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