Reviews

If you prefer your family friendly films with plenty of laughs, delightful characters and a snappy pace, you absolutely will not be disappointed.

It’s lacking one major thing: gore.

Make no mistake though – In This Corner of the World isn’t the misery-fest of Studio Ghibli’s Grave of the Fireflies.

The Disaster Artist proves to be a hilarious and heartfelt tale of ambition, friendship, and the imponderable mind of creative force Tommy Wiseau.

Borg vs. McEnroe remains watchable on the strength of its leads, who’re effective beyond the uncanny physical likeness to their real-life counterparts.

Caused me to, well, Wonder, if it couldn’t have benefitted from a little chaos and grit.

Light in the script department, frothy in the telling, enthusiastic and enjoyable…

The Daddies are back, in yet another unwanted comedy sequel that’s just as mediocre as its predecessor, now with added Christmas.

Director Simon Curtis (My Week with Marilyn) delivers another biography based on reality that never lets facts get in the way of a good story.

This expedited team-up is a colossal, garish shambles that offers minor relief by being a smidgen less painful than Batman v Superman: Dawn of Justice.

Given the foul state of affairs around the world at the moment, I found its grinding pessimism oddly cathartic.

Bondage, sadomasochism, threesomes, spanking, whips, ropes, naughty nurses and horny university professors – now that is a superhero origins story. Fortuitously timed to arrive in the wake of the box office behemoth Wonder Woman, writer-director Angela Robinson explores the Amazonian arse kicker’s real-life creator in Professor Marston and the Wonder Women, opting for a left-of-centre biopic: […]

Tony Stamp reviews Takashi “Miike’s lovingly crafted tableaus of severed limbs and blood splatter.”

Thor continues his reign despite being challenged by death traps, bad mothers, and pony magic.

Whether it’s due to the editing or the writing, this adaptation feels like it ripped pages out of the novel to make it run under two hours.

Kathryn Bigelow’s latest is the most disturbing and difficult watch of 2017.

While it does provide some laughs, it foolishly tries to be a tear-jerker as well as a knee-slapper.